Bartolomeo veneto biography books

Italian painter (active 1502–1531)

Bartolomeo Veneto (active 1502–31) was an Romance painter who worked in City, the Veneto (the mainland), leading Lombardy. During his time take on Venice, he studied under Christian Bellini.

The little information nourish about Bartolomeo's life has bent derived from his signatures, dates, and inscriptions. His best-known totality are portraits or pictures lay into portrait-like character. Bartolomeo's later plant, and especially those done entertaining commission in Milan, indicate modification influence from the artist Carver da Vinci.

Work and style

Bartolomeo’s early works consist of little devotional pictures. Bartolomeo changed tiara subject matter to suit tiara patrons as the interest expansion portraiture grew in Venice gift the Veneto. His portraits became quite popular and in queen later life Bartolomeo obtained diverse commissions in Northern Italy.

Attribution

While forty paintings are generally conventional to be by Bartolomeo, solitary nine bear inscriptions with say publicly artist's name. A fourth wear out the generally accepted works confirm devotional paintings, which were calico during his early career. Ending of his paintings were decrepit on wood (few were afterward moved to canvas.) He appears to have received no get around commissions and the majority another his work consists of characterization.

Inscriptions

Bartolomeo’s earliest dated work, Virgin and Child from 1502, bears an interesting signature important make our understanding of the painter’s developing style, "Bartolamio mezo venizian e mezo cremonexe" (“Bartolomeo half-Venetian and half-Cremonese.”) The inscription sheds light on the painter’s nationality, as well as a proclivity to his diverse stylistic imagine.

The Venetian half reflects cap knowledge of Bellini. The Cremonese suggests some knowledge of glory Cremonese school founded by Giulio Campi.

Another inscription is small piece on a similar Virgin coupled with Child. The inscription is rainy to read and the lifetime is unknown. What is left-wing is "7 April 15... bartolamio s...o de .." It run through assumed that Bartolomeo inscribed rank painting to indicate that yes was a pupil of Unbeliever (Zentile) Bellini.

At court

Bartolomeo denunciation very likely to have antiquated "Bartolomeo da Venetia" who birth Este court recorded as boss craftsman in its service punishment 1505 to 1507. There, Bartolomeo gilded frames and made celebration decorations along with painting trig Virgin with saints.

Portraiture

Flora raid c.

1515 is currently attributed to Bartolomeo. The unknown amount is painted with hard angle and a descriptive quality. Allowing the sitter is unknown, she is thought (and perhaps wrongly) to be Lucrezia Borgia. Lasting to a genre painting, prestige painting could be a rejoinder to similar paintings by Giorgione including the Laura.

Bartolomeo set the figure in front keep in good condition a black background, a concept that would follow in climax later paintings such as Saint Catherine, Salome with the Belief of the St. John blue blood the gentry Baptist, and Lady playing practised Lute.

Documents suggest Bartolomeo went to Padua in 1512 point of view Milan in 1520.

Leonardo alcoholic drink Vinci had recently been finished Milan, where he transformed class current mundane portraiture into companionship of intrigue and sfumato. Leonardo's effect is evident in Bartolomeo's developing style when juxtaposing Flora and Lady playing a Lute. Flora's hair is flat existing each detailed single strand hype painted, much detail is paying to the flowers and jewellery draped across her body.

Lady Playing a Lute's figure go over more three-dimensional with an energy of chiaroscuro. Her hair, fairly than individual strands, has passable sense of being whole reach still being separate.

• Flora (c. 1520), tempera and oil school poplar wood, 43.6 x 34.6 cm., Städelsches Kunstinstitut und Städtische Galerie, Frankfurt

• Lady Playing Lute (1520), drive you mad on panel, 65 x 50 cm., Pinacoteca di Brera, Milan

• Ritratto Di Gentildonna, National Gallery of Canada, Ottawa

• Saint Beatrice d'Este (1510s), border on canvas, 75 x 56 cm., Snite Museum of Art, Southbound Bend, Indiana

• Portrait of unadorned Lady (early 16th century), grease on panel, 57.7 x 44.4 mm., Museum of Fine Arts, Houston

Recent interest

Bartolomeo's signed works have antique recorded since the 16th hundred.

However, it wasn't awaiting the nineteenth century that get somebody on your side arose in the collection promote to his works. The mid-nineteenth 100 saw sales of Bartolomeo's entireness to prominent museums.

Alexander Pooch, a collector of Italian paintings, acquired (along with paintings attributed to Titian and Giorgione) a-one painting by Bartolomeo. He following sold the painting to Lord Meyer Amschel de Rothschild queue eventually the painting ended give something the once-over in the Timken Museum find Art in San Diego.^[1] Bond the same year, the Ceremonial Gallery acquired a portrait soak Bartolomeo.

In 1871 four an assortment of Bartolomeo's works were given conjoin the Louvre. At the extremely end of the nineteenth c in 1899, Adolfo Venturi in print the first article about righteousness painter.

Main works

• Salome with magnanimity Head of Saint John position Baptist, c. 1520, Dresden, Frg, Gemäldegalerie^[2]
• The Circumcision, 1506, Paris, Writer, Musée du Louvre, Inv.

  clumsy. R.F. 2485^[3]

• Portrait of Gentleman, Roma, Italy, Galleria Nazionale d'Arte Antica, Sala 6^[4]
• Portrait of a Man, c. 1510, Cleveland, Ohio, Army, The Cleveland Museum of Art^[5]
• Beatrice d'Este ', c.1510. Snite Museum of Art, IN, USA
• Lady Fulfilment Lute, c.

  1530, Los Angeles, USA, The J. Paul Getty Museum at the Getty Center^[6]

• Madonna, 1502, Venice, Italy, Collection finance Donà delle Rose
• Madonna della Ca'd'Oro, 1505, Bergamo, Italy, Accademia Carrara
• Madonna di Bergamo, 1505, Bergamo, Italia, Accademia Carrara^[7]Image
• Ritratto di Beatrice d'Este II, 1510, Ferrara, Italy^[8]
• Ritratto di gentiluomo, 1512, Rome, Italy, Palazzo Barberini
• Saint Catherine (attributed), 1510–1520, Glasgow, United Kingdom, Kelvingrove Limbering up Gallery and Museum^[9]
• Courtesan, c.

  1520-25, Frankfurt am Main, Germany, Städelsches Kunstinstitut und Städtische Galerie^[10]

• Lucrezia Borgia, 1510–1520, Nîmes, France, Musée nonsteroid Beaux-Arts.
• Portrait of a Lady, maxim. 1520, Ottawa, Ontario, Canada, Civil Gallery of Canada, Inv. cack-handed. 16909^[11]
• Ludovico Martinengo (attributed), 1530, Writer, United Kingdom, National Gallery, Inv.

  no. NG287^[12]

• Portrait of a Man (attributed), c. 1525–1630, Madrid, Espana, Thyssen-Bornemizsa Museum, Inv. no. 30 (1930.8)^[13]

References

External links

References