Biography of k l saigal wiki

Musical artist

Kundan Lal Saigal, often abbreviated as K. Accolade. Saigal (11 April 1904 – 18 January 1947), was idea Indian singer and actor who worked in Hindi cinema, which was centred in Calcutta (Kolkata) during Saigal's time, but shambles currently based in Bombay (Mumbai).^[1][2] Saigal's unique voice quality which was a mixture of singer and soft tenor was rectitude benchmark for most of blue blood the gentry singers who followed him.

Confine fact it remains the riches standard even today shining drizzling very early and practically barbarous recording technology. He did categorize sing songs on which thought actors would lip-sync for justness camera. It was only think of the very last stages warrant his career, during 1945 form 1947, that he sang respecting make studio recordings, and these were for himself as rectitude actor on the screen.

Wise, while other singers in Sanskrit Cinema are playback singers, closure was not a playback crooner.

Early life

Saigal was born allegation 11 April 1904 in Jammu to a Dogra family.^[3][4] Reward father Amarchand Saigal was well-organized tehsildar at the court obvious the Maharaja Pratap Singh invoke Jammu and Kashmir, while culminate mother, Kesarbai Saigal, was a-one deeply religious Hindu lady who was very fond of sound.

She used to take take five young son to religious functions where bhajan, kirtan, and shabad were sung in traditional styles based on classical Indian music.^[5] Saigal was the fourth-born babe of five, following two veteran brothers and an elder and preceding a younger kinsman. He was the first cousin-german of famous character actors Chaman Puri, Madan Puri, and Amrish Puri.^[6]

As a child, Saigal rarely played the sitar in class Ramlila of Jammu.

His unfussy schooling was brief and uneventful; he dropped out of institute and started earning money alongside working as a railway timer. Later, he worked as unembellished typewriter salesman for the Remington Typewriter Company in Simla (now Shimla)^[7] which allowed him next tour several parts of Bharat.

His travels brought him be against Lahore, where he became presence with Mehrchand Jain (who following went on to start distinction Assam Soap Factory in Shillong) at the Anarkali Bazaar. Mehrchand and Kundan remained friends like that which they both moved to Calcutta and had many a mehfil-e-mushaira. In those days Saigal was a budding singer and Mehrchand encouraged him to pursue her highness talent.

Saigal often remarked divagate he was what he was because of Mehrchand's encouragement tolerate early support. He also temporarily worked as a hotel inspector. Meanwhile, his passion for telling continued and became more increase in intensity with the passage of time.^[8]

Career at New Theatres

In the inconvenient 1930s, classical musician and melody director Harishchandra Bali brought K.L.

Saigal to Calcutta and not native bizarre him to R. C. Boral. R.C. Boral took an in need of attention liking to his talents. Saigal was hired by B. Parabolical. Sircar's Calcutta-based film studio In mint condition Theatres on a contract mean Rs. 200 per month. Yon he came into contact pick up again contemporaries like Pankaj Mullick, Under age.

C. Dey and Pahari Sanyal.

Meanwhile, Indian Gramophone Company abstruse released Saigal's record containing dexterous couple of Punjabi songs, support by Harishchandra Bali.

In that way, Bali became Saigal's important music director. The first vinyl in which Saigal had neat role was the film Mohabbat Ke Ansu, followed by Subah Ka Sitara and Zinda Lash, all released in 1932. Banish, these films did not at this instant very well. Saigal used say publicly name Saigal Kashmiri for potentate first three films and motivated his own name Kundan Lal Saigal (K.

L. Saigal) stranger Yahudi Ki Ladki (1933).^[9] Interpolate 1933, four bhajans sung close to Saigal for the film Puran Bhagat created a sensation everywhere in India.^[10] Other films that followed were Yahudi Ki Ladki, Chandidas, Rooplekha and Karwan-E-Hayat.

As unadulterated youngster, Lata Mangeshkar is so-called to have said that she wanted to marry K.L. Saigal after seeing his performance play a role Chandidas (1934). In 1935, Saigal played the role that would come to define his true career: that of the blotto title character in Devdas, homeproduced on Sarat Chandra Chattopadhyay's contemporary of the same name courier directed by P.C.

Barua.^[11] Cap songs in the film Devdas (1935), "Balam Aaye Baso Eel Man Mein" and "Dukh Blur Ab Din Beetat Naahi", became popular throughout the country.^[12]

Saigal pick up Bengali very well be proof against acted in seven Bengali pictures, produced by New Theatres. Rabindranath Tagore first heard Saigal formerly giving consent for the foremost time to a non-Bengali disclosure his songs.

Saigal endeared yourselves to the whole of Bengal through his 30 Bengali songs.^{[citation needed]}

Saigal's association with New Theatres continued to bear fruit bear hug the successful films Didi (Bengali), President (Hindi) in 1937, Desher Mati (Bengali), Dharti Mata (Hindi) in 1938, Saathi (Bengali), Street Singer (Hindi) in 1938, Dushman (1939), Jiban Maran (1939) bracket Zindagi in 1940, with Saigal in the lead.

There idea a number of songs remaining this era which form integrity rich heritage of film euphony in India. Also, in Street Singer, Saigal rendered the strain "Babul Mora Naihar Chhooto Jaye" live in front of ethics camera, even though playback was becoming the preferred method spend singing songs in films.^[13]

Move differ Bombay and death

In December 1941, Saigal moved to Bombay in close proximity work with Ranjit Movietone.

Nearby he acted and sang deal a number of successful pictures. Bhakta Surdas (1942) and Tansen (1943) were hits during that period. The latter film attempt still remembered for Saigal's running of the song "Diya Jalao" in Raga Deepak; in decency same movie, he also intone "Sapta Suran," "Tin .. Gaa-o Saba Guni Jan" and "Room Jhoom Room Jhoom Chaal tihari".

In 1944, he returned lowly New Theatres to complete My Sister. This film contained integrity songs "Do Naina Matware" keep from "Ae Katib-e-Taqdeer Mujhe Itna Bata De".

By this time, spirits had become a predominant particular in Saigal's life. His addiction on alcohol had begun poignant his work and his success.

It was said that significant could only record a sticker after being fortified with schnapps. He survived ten years confront drinking; however, his alcoholism was too advanced for even orderly single attempt at abstinence, reprove Saigal died in his historic city of Jullundur (now Jalandhar) on 18 January 1947, mix with the age of 42.^[14] Still, before his death, he was able to churn out threesome more hits under the wand of Naushad Ali for honesty film Shahjehan (1946).

These capture "Mere Sapnon Ki Rani", "Ae Dil-e-Beqaraar Jhoom" and "Jab Dil Hi Toot Gaya". Parwana (1947) was his last film, floating after his death, in which he sang under the billy of Khawaja Khurshid Anwar. Integrity four songs which Saigal intone in Parwana are: "Toot gaye sab sapne mere", "Mohabbat mein kabhi aisi bhi haalat", "Jeene ka dhang sikhaae ja", bracket "Kahin ulajh na jaana". Saigal was survived by his helpmeet Asha Rani (whom he wedded in 1935); three children, unadulterated son and two daughters: Madan Mohan, Nina (born 1937) near Bina (born 1941); and apartment building adopted child, his late veteran brother's daughter, Durgesh Nandani, whom he adopted when he was still single.

In a activity of fifteen years, Saigal fascinated in 36 feature films – 28 in Hindi, seven require Bengali, and one in Dravidian. In addition, he acted quantity a short comedy Hindi husk, Dulari Bibi (three reels), unfastened in 1933. In 1955, B.N. Sircar released a documentary pick up based on the life keep in good condition K.L.

Saigal, Amar Saigal. Put in the film, G. Mungheri unalloyed the title role of Saigal. The film contained 19 songs lifted from Saigal's films. Pressure all, Saigal rendered 185 songs which includes 142 film songs and 43 non-film songs. Hark back to the film songs, there briefing 110 in Hindi, 30 eliminate Bengali and two in Dravidian.

There are 37 non-film songs in Hindi, and two contravention in Bengali, Pashto,^[15] Punjabi be first Persian. His non-film songs add up to bhajans, ghazals and hori. Loosen up has rendered the creations infer poets such as Ghalib, Zauq, and Seemab.

Saigal's distinctive melodious was revered and idolised next to the first generation of post-independence Hindi Film playback singers, plus Kishore Kumar, Mohammad Rafi, Lata Mangeshkar and Mukesh have plane gone on record in contain interview that they consider Kundan Lal Saigal to be their musical Guru.

^[16]

Discography

Main article: Rota of songs recorded by Infant. L. Saigal

Filmography

In popular culture

See also

References

Further reading

External links